Stallone did not copy screenplay for "The Expendables": judge

NEW YORK (Reuters) - A federal judge has reaffirmed his decision to dismiss a lawsuit accusing actor Sylvester Stallone of copying someone else's screenplay to make his popular 2010 movie "The Expendables."

U.S. District Judge Jed Rakoff in Manhattan on Thursday rejected claims of copyright infringement damages by Marcus Webb, who contended that the movie's screenplay contained 20 "striking similarities" to his own "The Cordoba Caper."

Webb claimed that both works had similar plots, and involved hired mercenaries in a Latin American country that was home to a villain dictator named General Garza.

But Rakoff said no reasonable juror could find that the works were so similar as to eliminate the possibility that Stallone crafted his screenplay on his own.

Not even the general's name was an automatic red flag, Rakoff said, writing that "Garza" was the 34th most common Hispanic nickname in the United States.

"The court has carefully examined the entire litany of plaintiff's proffered 'striking similarities' and finds none of them remotely striking or legally sufficient," Rakoff wrote. "These are two very different screenplays built on a familiar theme: mercenaries taking on a Latin American dictator."

Other defendants in the case included Nu Image Films, which produced the movie, and Lions Gate Entertainment Corp, which distributed the movie in the United States.

Lawyers for Webb did not immediately respond to requests for comment.

"The Expendables" was released in August 2010, and featured other older action stars like Jet Li and Arnold Schwarzenegger. A sequel, "The Expendables 2," was released in August 2012.

In June, Rakoff decided to dismiss Webb's case [ID:nL2E8HQA93] but did not provide his reasons until Thursday.

Stallone also starred in the "Rocky" and "Rambo" movies.

The case is Webb v. Stallone et al, U.S. District Court, Southern District of New York, No. 11-07517.

(Reporting by Jonathan Stempel; Editing by Jan Paschal)

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Matt Damon tackles "fracking" issue in the "Promised Land"

LOS ANGELES (Reuters) - The hot-button topic of "fracking" has finally made its way to Hollywood in the new movie "Promised Land," out in U.S. theaters on Friday, with actors Matt Damon and John Krasinski teaming up to further the debate on the energy drilling technique.

The film explores the social impact of hydraulic fracturing drilling technique, or "fracking," which has sparked nation-wide environmental and political battles over its impact on drinking water, U.S. energy use, seismic activity and other areas.

"Promised Land" will see Damon, 42, reunite with director Gus Van Sant for the third time, following their success with 1997 film "Good Will Hunting and 2002's "Gerry."

In their latest film, Damon plays a corporate salesman who goes to a rural U.S. town to buy or lease land on behalf of a gas company looking to drill for oil. He soon faces opposition from a slick environmentalist, played by Krasinski.

In real life, Damon hasn't shied away from getting involved in political and social issues, working with charities and organizations to eradicate AIDS in developing countries, bringing attention to atrocities in Sudan's Darfur region, providing safe drinking water and stopping trees from being chopped and used for junk mail.

Yet "Promised Land," which Damon also co-wrote and produced, doesn't take a noticeable stance on "fracking." The actor would not publicly state his own views, telling Reuters that he didn't think his opinion had "any bearing" on the film.

"The point is that the movie should start a conversation. It's certainly not a pro-fracking movie, but we didn't want to tell people what to think," Damon said.

The actor said he and Krasinski never set out to make a socially conscious film, and "fracking" was added in later, as a backdrop to the story.

"It wasn't that we said we wanted to make a movie about 'fracking' as much as we wanted to make a movie about American identity, about real people. We wanted to make a movie about the country today, where we came from, where we are and where we are headed," Damon said.

"'Fracking' was perfect because the stakes are so incredibly high and people are so divided. It asks all the questions about short-term thinking versus long-term thinking."

Hydraulic fracturing entails pumping water laced with chemicals and sand at high pressure into shale rock formations to break them up and unleash hydrocarbons. Critics worry that "fracking" fluids or hydrocarbons can still leak into water tables from wells, or above ground.

FROM 'ADJUSTMENT BUREAU' TO 'PROMISED LAND'

At first glance, the pairing of Damon with Krasinski may not come across as the perfect fit, as Damon has primarily been associated with longtime friend and collaborator Ben Affleck, both of whom won Oscars for writing "Good Will Hunting."

Damon later become a colleague and friend to a number of key Hollywood players, including George Clooney and Brad Pitt, with whom he co-starred in the "Ocean's Eleven" franchise.

Krasinski, 33, is best known for playing sardonic Jim Halpert on NBC's long-running television series, "The Office," and has had occasional supporting roles in films such as 2008's "Leatherheads."

Damon and Krasinski came together after meeting through Krasinski's wife, Emily Blunt, who co-starred with Damon in the 2011 film "The Adjustment Bureau." Damon said he and his wife started double-dating with Krasinski and Blunt, through which their collaboration on "Promised Land" came about.

The duo's busy work schedules forced them to moonlight on weekends to make "Promised Land."

"John showed up at my house every Saturday at breakfast and we would write all day until dinner," Damon said. "Then we'd do it again on Sunday. I have four kids so he would come to me."

But Damon's determination to make the film his feature directorial debut fell through when his acting schedule changed, making it impossible to direct "Promised Land," so he turned to Van Sant.

"My first inclination was to send the script to somebody I'd worked with before," he said. "Gus seemed like the most obvious choice and I realized later that I'd never written anything that anyone else had directed, except Gus. I have a real comfort level with him."

Damon said he has not given up on his dream of directing movies and has his eye on a project at movie studio Warner Bros., which has a deal with Damon and Affleck's joint production company, Pearl Street Films.

With Affleck's third directorial effort "Argo" becoming an awards contender, Damon joked that the film's success can only be a good thing for his own budding directing career.

"I now happen to be partnered with the hottest director in Hollywood!" he said, laughing.

(Reporting By Zorianna Kit, Editing by Piya Sinha-Roy and Paul Simao)

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Jessica Simpson's Christmas tweet seems to confirm pregnancy rumor

(Reuters) - Actress, singer and fashion designer Jessica Simpson sent a Christmas Twitter message that apparently confirms media rumors that she is pregnant - showing a photo of her daughter Maxwell with the words "Big Sis" spelled out in sand.

The picture's caption reads "Merry Christmas from my family to yours."

Simpson had her first child, Maxwell Drew Johnson, in May. She has since become a spokeswoman for Weight Watchers.

A representative for Simpson was not immediately available for comment.

Simpson rose to fame as a teen pop star and became a household name after starring in a TV reality show with her then-husband Nick Lachey, a member of the boy band 98 Degrees. The pair divorced after three years of marriage.

She went on to star in the 2005 film version of "The Dukes of Hazzard" and re-invented herself as a country singer in 2008. She currently designs apparel, accessories and other fashion products and is a mentor on the TV contest "Fashion Star."

Simpson's fiance, Eric Johnson, is a former U.S. professional football player whose career spanned seven seasons for both the San Francisco 49ers and New Orleans Saints.

(Reporting By Mary Wisniewski and Paul Simao)

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Natalie Portman, Kristen Stewart most bankable Hollywood stars

NEW YORK (Reuters) - Actresses Natalie Portman and Kristen Stewart are Hollywood's most bankable stars and provide studios with the highest average returns for their films, according to Forbes.com.

Academy award winner Portman topped the list of best actors for the buck, providing about $42.70 for every dollar she earns.

"Black Swan," for which she won her best actress Oscar, was produced for an estimated $13 million and earned $329 million in global box office sales.

"We estimate that for every dollar Portman is paid by the studios, she returns $42.70. Compare that to Eddie Murphy, our most overpaid star, who returns $2.30 for every dollar he gets paid," Forbes.com said.

"Twilight" star Stewart was not far behind, bringing in $40.60. She also topped the Forbes list of highest-earning actresses with an estimated $34.5 million in salary in 2012.

"Stewart was able to earn a ton over the last three years and offer a healthy return thanks to 'Twilight,'" according to Forbes.com. "Even though she was paid $25 million to star in the last two films, she was clearly worth the money."

Forbes.com analyzed salaries, estimated box office grosses from the actor's last three films over the previous three years to calculate the studio's return on investment. The most bankable stars tended to be featured in the most profitable films.

Stewart's two co-stars in the "Twilight" films were also good investments for the studio. Robert Pattinson came in fourth with a return of $31.70 and Taylor Lautner was No. 6, making $29.50 for the studio for every dollar he was paid.

(This story was refiled to correct spelling of Kristen)

(Editing by Steve Orlofsky)

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Billy Crystal channels real-life role in "Parental Guidance"

LOS ANGELES (Reuters) - After a decade away from the big screen, funnyman Billy Crystal has mined his real-life experiences as a grandfather and is back in the holiday season movie "Parental Guidance."

The film, which opened in U.S. theaters on Christmas, stars Crystal as a recently fired baseball announcer, who agrees to watch his three grandchildren with his wife (Bette Midler), while his daughter and her husband go on a business trip.

Crystal, 64, sat down with Reuters to talk about the film, being a grandparent and why he won't host the Oscars ceremony anymore.

Q: You have not been on the big screen in a starring role since 2002's "Analyze That." Did you miss making movies?

A: "I spent over four years doing my one-man Broadway show, '700 Sundays' and didn't care about doing movies. I just so love being in front of live audiences. The play is more satisfying than anything. I'm not interrupted by planes flying overhead, waiting for them to light and all those gruesome slow things on a movie. But really, the last five years were spent getting this movie made."

Q: How did "Parental Guidance" become your return to film?

A: "When I wrote the first story for this movie, my wife Janice and I babysat for our daughter Jenny while she went away with her husband. We had six days with their girls, all alone. It was an eye-opener. When you're not used to that energy, it's tough. On the 7th day I rested and came in to the office and said, 'Here's the idea for the movie.'"

Q: What was eye-opening about those six days?

A: "The eye-opener was the bible that we were given before they left town about what to say (to the kids), what to do, all the rules, don't do this, don't do that, this child has to be taken here. They have my respect of how they programmed their days and weeks. It's insane what they have to do nowadays for schooling and parenting. It's wild."

Q: Quite a difference between your childhood and the grandkids' childhood, right?

A: "When I was a kid growing up, it was basically 'Go outside and play and I'll see you at dinner.' There was no thought that there were bad people out there. There was such a carefree wonderful trust which forced you to use your imagination, which also bonded you with the best of you, and your friends. We didn't have that 'inside' thing like videogames. My only 'inside' thing was watching the Yankees. Otherwise everything was outside."

Q: Speaking of the Yankees, your well-documented lifelong love of baseball is incorporated in to the film with your character being a ball-game announcer. That must have been fun to do.

A: "I love the game and I thought it was a really interesting occupation we hadn't seen before. And a good one for me to play because I love it. I wanted my character to have something he loved doing where I didn't have to fake it."

Q: In being absent from the silver screen for a while, did you find that the movie-making business has changed much?

A: "The studios are so concerned with quadrants (capturing four major demographic groups of moviegoers - men, woman and those over and under 25). I'd never heard of these things when I was in my early years of making movies. You just did them. There was no interference. Now it's a whole different ball game. They're so worried: 'Who's going to come?' Well, there's 77 million American who are babyboomers. That's a huge audience who wants to laugh and have a story told to them that doesn't have bombs and spies and killing."

Q: Does "Parental Guidance" reflect where are you now at this stage of your life?

A: "I was fortunate to be in a great romantic comedy about falling in love (1989's 'When Harry Met Sally'). I wrote the original story for my turning 40, 'City Slickers' (in 1991), which became a huge hit and a very liked movie. And now 'Parental Guidance' happened at this point in my life. I relate to it as a parent and a grandparent."

Q: You will be a grandfather for the fourth time in March. What do you like best about that role?

A: "It's so hard to understand how you can love someone so much that's not yours, but extensions of you. I'm always so moved seeing my girls pregnant, and seeing them move on in their lives. I'm going to turn 65 on March 14. My wife's birthday is the 16th. The baby's due the 18th. So we've got maybe a straight flush happening here. That would be the greatest present of all - a healthy new baby."

Q: Last year you hosted the Oscar ceremony for the ninth time, making you the second most-used host after the late Bob Hope. Are you gunning for his title?

A: "I'm not even close. I've done 9, he's done 19 and neither one of us are doing it again. It's hard to say, 'Can't wait to do it again,' but I can wait."

(Reporting By Zorianna Kit, Editing by Piya Sinha-Roy and Cynthia Osterman)

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British actress Kate Winslet marries for third time

LONDON (Reuters) - British Oscar-winning actress Kate Winslet has married for the third time, her publicist confirmed on Thursday.

The 37-year-old, best known for her starring role in the 1997 blockbuster "Titanic", married Ned RocknRoll, a nephew of music and aviation tycoon Richard Branson.

The private ceremony was attended by Winslet's two children from previous marriages and "a very few friends and family", according to the publicist, and took place in New York earlier this month.

"The couple had been engaged since the summer," Winslet's spokeswoman said in a statement.

Winslet has been nominated for six Academy Awards and won once for her lead role in "The Reader".

Her other notable performances include Iris Murdoch in "Iris", Clementine Kruczynski in "Eternal Sunshine of the Spotless Mind" and April in "Revolutionary Road".

That film was directed by Sam Mendes, whom Winslet wed in 2003 and divorced seven years later. Her first marriage was to Jim Threapleton, which lasted from 1998 to 2001.

According to online reports, RocknRoll had his name changed by deed poll from Ned Abel Smith and is an executive for Branson's space flight venture Virgin Galactic.

The Sun newspaper said the New York wedding was so secret that even the couple's parents did not know about it.

Hollywood actor Leonardo DiCaprio, who co-starred with Winslet in Titanic and Revolutionary Road, gave her away, the newspaper said.

(Reporting by Mike Collett-White; editing by Steve Addison)

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Soprano Bartoli: My voice has more colors, shadow

LONDON (Reuters) - Italian mezzo-soprano Cecilia Bartoli has released a year-end blockbuster that is part mystery story, part research project and shows off a voice which only seems to improve with age.

Bartoli's latest deluxe-packaged album "Mission" (Decca) is devoted to the music of the late 17th-century Italian composer, diplomat and perhaps spy, Agostino Steffani.

Steffani may have been a bit overlooked as a result of his appearance at the end of the Renaissance and at the beginning of the Baroque periods - until Bartoli's interest alighted on him.

"The variety is amazing in the music of Steffani, the slow arias have very beautiful melodic lines, they are unbelievable, it's quite hypnotic music," Bartoli said in a telephone interview from Paris.

Since she burst upon the world in the 1990s, specializing mostly in Mozart and Rossini, Bartoli has gone from strength to strength, not only in digging up unusual repertoires, including another deluxe compilation in 2009 devoted to music sung by castrati, but also vocally.

Here's what else Bartoli had to say about Steffani and his possible career as a spy, why she goes for the anti-diva look on her recent album covers, and what she calls a Fellini-esque experience at La Scala with conductor Daniel Barenboim:

Q: Is it true, then, that the voice improves with time?

A: "I think this is a very good time because of the maturity of the technique. When you are young, of course, you have to have a beautiful voice. This is a gift you receive, but you don't have enough technique or experience. So this is a very good time because I can really paint with my voice with so many colors, like a painter. I love painting with the voice and I'm of an age when I do this definitely better than 20 years ago."

Q: So this bit about Steffani being a spy, surely that was dreamt up by the Decca marketing department?

A: "He had an incredible life as a priest, a missionary and a diplomatic mission to arranging weddings between the royal princes of that period. And also he was a kind of spy, in fact he was a Catholic priest in the north of Germany, in the Protestant area, and he spent lots of years in that area - it was very unusual, very strange. Maybe he also had the mission to convert (people) to Catholicism, who knows? We have lots of speculation about him, all the mysterious things about this man. There's still mystery."

Q: There's no mystery though that the cover for this album, showing you bald-headed and wielding a crucifix, is "non-diva" - like the cover on the "Sacrificium" album of castrati music, with your head superimposed on the torso of a male statue.

A: "The idea was to have a cover related to the project and it was a bit against the cliche of a diva who has to look beautiful all the time. In a project like 'Sacrificium', when at the beginning of the 18th century 3,000-4,000 boys were castrated every year in Italy...how can I make a CD project about this and make a cover with a beautiful, glamorous Vanity Fair picture? This would be more embarrassing...People realize there is a real story here to tell, it's not a compilation of arias which you do for Christmas. And 'Sacrificium' was a huge success."

Q: Your concert recital earlier this month singing Handel, Rossini and Mozart with Daniel Barenboim conducting at La Scala in Milan, with a chorus of boos and whistles in the second half, was perhaps less of a success?

A: "This story is repeating what happened to Carlos Kleiber, one of the greatest conductors of our lives, also to (Maria) Callas, (Luciano) Pavarotti. The concert was magnificent - Handel, Mozart, Rossini - and then I believe at the very end there was a very Fellinian situation. You think these things don't happen anymore, that they only happen in the movies of (Federico) Fellini but actually, no, this is happening. And it seemed like a parody but the next morning I opened the newspaper and (Silvio) Berlusconi is back (in Italian politics). And so I said, 'Yes, of course.'

I think living in Italy is difficult but living without Italy is impossible."

(Editing by Michael Roddy)

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"Rescue Me" singer Fontella Bass dies aged 72

(Reuters) - American soul singer Fontella Bass, who topped the R&B chart in 1965 with the song "Rescue Me," died in St. Louis. She was 72.

Bass died in hospice care on Wednesday night from complications of a heart attack she suffered three weeks ago, her daughter, Neuka Mitchell, told Reuters. Bass had also suffered from strokes in recent years.

"She's going to be missed," Mitchell said. "Her big personality. Her love for family. Her big, giving heart and her cooking."

She was known as the "queen of soul food" to her family, Mitchell said.

Bass was born into a singing family in St. Louis. Her mother, Martha Bass, was a singer in the Clara Ward Singers gospel group. Her brother, the late R&B singer David Peaston, scored a handful of hits in the 1980s and 1990s.

Bass first achieved success dueting with Bobby McClure in 1965 on songs such as "Don't Mess Up A Good Thing" and "You'll Miss Me (When I'm Gone)," both of which were hits on the pop and R&B charts.

Bass' biggest hit came with "Rescue Me," which shot up the Billboard pop charts in the fall of 1965, becoming one of the most popular soul hits of all time.

"It held a special place in her heart," Mitchell said of the song. "She sang it every time she performed."

The song has been covered and sampled numerous times over the years, including by pop stars Linda Ronstadt and Cher, and more recently in 2000 by UK group Nu Generation, who remixed the song into a dance track.

Nu Generation's remix, "In Your Arms (Rescue Me)" hit the top 10 of the UK singles chart.

Bass had moderate success in later years with a gospel album in the 1990s, but was unable to emulate the popularity set by "Rescue Me."

She was married to jazz trumpeter and composer Lester Bowie. The two spent time living in Europe in the late 1960s and early 1970s before moving back to the United States.

Funeral arrangements for Bass have not been finalized. The singer is survived by her four children.

(Reporting by Eric Kelsey and Piya Sinha-Roy; Editing by Doina Chiacu)

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Elvis Presley, The Beatles top list of most-forged autographs

LOS ANGELES (Reuters) - Elvis Presley and The Beatles top the list of most-forged celebrity signatures in 2012, with less than half of their autographs for sale certified as genuine, memorabilia authenticators PSA/DNA said on Thursday.

The King and The Fab Four British rockers, who topped the list two years ago when it was last released, joined notable figures such as former U.S. President John F. Kennedy and late pop star Michael Jackson on the list of most-forged celebrity signatures.

Late American astronaut Neil Armstrong landed at No. 3 on the list, after fake Armstrong signatures rose significantly after his death in July.

One reason forgeries of Armstrong's autograph soared was that he rarely signed for fans during his life, Joe Orlando, president of Newport Beach-based PSA/DNA, told Reuters.

"Armstrong is someone who is very conscious of the value of his own autograph," Orlando said. "Even before he passed away he was very tough to get...It really heightens the level of his market."

Secretaries and assistants responding to huge volumes of fan mail are one reason for fake signatures floating through the marketplace, said Margaret Barrett, director of entertainment and music memorabilia at Heritage Auctions in Los Angeles.

"Back in the day, the kids would write to the movie studios," Barrett said.

"There was absolutely no financial gain 50 years ago and secretaries and assistants just wanted to make them happy. A lot of times people stumble upon an old box of signed photographs in grandma's attic and don't know they're forged."

Barrett, whose specialty is late Hollywood actress Marilyn Monroe's autographs, said that official documents such as contracts and checks are reliable sources to verify whether or not a signature is forged.

"A good rule of thumb is to compare it a signed contract," she said. "Sometimes (celebrities) would have secretaries or other sign photos and letters but they couldn't have a contract signed by a proxy."

(Reporting by Eric Kelsey, editing by Piya Sinha-Roy and Cynthia Osterman)

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Ex-Times editor Rees-Mogg, who supported Mick Jagger, dies

LONDON (Reuters) - William Rees-Mogg, a former editor of Britain's Times newspaper who famously backed Mick Jagger when the Rolling Stones singer was jailed for a drug offence, has died at the age of 84.

On its website, the Times said Rees-Mogg, a former chairman of the Arts Council and vice-chairman of the BBC, had been suffering from oesophageal cancer.

Rees-Mogg became editor of the paper in 1967 and, despite establishment credentials built up at independent school and Balliol College, Oxford, soon showed a rebellious streak.

In July of that year, he published a celebrated leading article criticizing the jailing of Jagger for a minor drugs offence, headlined: "Who Breaks a Butterfly on a Wheel?"

Later Rees-Mogg, in an article in the Times after he had stepped down as editor, described John Major, Conservative prime minister for most of the 1990s as "over-promoted, unfit to govern and lacking self-confidence".

"His ideal level of political competence would be deputy chief whip or something of that standing," he added, in a contemptuous reference to Britain's behind-the-scenes political party managers.

However Rees-Mogg stubbornly defended former U.S. President Richard Nixon against all the Watergate evidence filed by the Times' Washington staff as the scandal that led to Nixon's resignation in 1974 unfolded.

The Times was bought by Rupert Murdoch's News Corp in January 1981, at which point Rees-Mogg, who had backed the Murdoch purchase, resigned to make way for one of Britain's most celebrated editors, Harold Evans, who became Reuters editor-at-large in 2011.

The paper's website carried a tribute from Murdoch on Saturday.

"William Rees Mogg was a distinguished editor of the Times for 14 years, during which time he modernized the paper, reaching out to a younger readership with expanded coverage of news, sport and features," Murdoch wrote.

"It is to his great credit that he retained the intellectual integrity of the paper while attracting a broader based and markedly more female readership for the paper.

"He gave me invaluable support when I acquired Times Newspapers in 1981, and remained someone on whom I could always count for impartial counsel."

(Reporting by Stephen Addison; Editing by Alison Williams)

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Gabby Douglas, Adele among brightest young stars -Forbes magazine

NEW YORK (Reuters) - Fashion designer Carly Cushnie, actress Kate McKinnon and videogame creator Kim Swift may not be household names yet, but they are destined to do great things and will be tomorrow's young stars, Forbes magazine said on Monday.

Along with Olympic Gold medalist gymnast Gabby Douglas, rapper Wiz Khalifa and researcher Josh Sommer, they have been chosen by the magazine for its "30 Under 30" list of top achievers under 30 years old in their fields.

They are considered the top 30 achievers in 15 categories ranging from education, energy, music, science and healthcare to sports, technology games and apps and marketing.

"This is a celebration of youthful ambition and success. These are really amazing people and they are doing amazing things. It makes you very hopeful about the world," Michael Noer, the executive editor of Forbes, said in an interview.

Many on the list, including singers Bruno Mars and Justin Bieber, as well as actresses Ashley and May Kate Olsen and fashion designer Alexander Wang, the newly appointed creative director at the French fashion house Balenciaga, are already well known.

Some are returnees to the list that was launched last year - like British singer and new mother Adele, the 24-year-old multiple Grammy Award winner, and American entrepreneur Kevin Systrom.

Noer said there has been a 60 percent turnover since 2011, so there are plenty of new faces on the list drawn up by Forbes staff and industry experts.

"I think there are a lot of interesting names on the list," he said.

In energy, it is 28-year-old Leslie Dewan, a Massachusetts Institute of Technology graduate and co-founder and chief science officer of Transatomic Power.

"They are developing a new type of nuclear reactor that uses nuclear waste," said Noer.

In music, Pittsburgh-bred Khalifa, 25, topped the list. Swift, the 29-year-old creative director at Airtight Games, was noted for creating hit videogame Portal.

"Kate McKinnon, the actress from 'Saturday Night Live' who just joined in April is our Hollywood selection. She is being hailed as the next Tina Fey," Noer said.

Sommer, the executive director of the Chordoma Foundation which raises funds for research into chordoma, a rare, slow-growing bone cancer most commonly found in the spine, is another young achiever, according to Forbes.

Sommer created the foundation with his mother after being diagnosed with the disease while a student at Duke University in North Carolina.

"He was diagnosed with a rare type of bone cancer, dropped out of school to find a cure and he has made some progress," said Noer.

The full list will be published in the January 21 issue of Forbes and can also be found at www.forbes.com/under 30 .

(Reporting by Patricia Reaney; editing by Paul Casciato and Mohammad Zargham)

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Florida man sentenced to 10 years in "hackerazzi" case

LOS ANGELES (Reuters) - A Florida man who pleaded guilty to hacking into the email accounts of celebrities to gain access to nude photos and private information was sentenced to 10 years in prison by a federal judge in Los Angeles on Monday.

Former office clerk Christopher Chaney, 36, said before the trial that he hacked into the accounts of film star Scarlett Johansson and other celebrities because he was addicted to spying on their personal lives.

Prosecutors said Chaney illegally gained access to email accounts of more than 50 people in the entertainment industry, including Johansson, actress Mila Kunis, and singers Christina Aguilera and Renee Olstead from November 2010 to October 2011.

Chaney, who was initially charged with 28 counts related to hacking, struck a plea deal with prosecutors in March to nine felony counts, including wiretapping and unauthorized access to protected computers.

"I don't know what else to say except I'm sorry," Chaney said during his sentencing. "This will never happen again."

Chaney was ordered to pay $66,179 in restitution to victims.

Prosecutors recommended a 71-month prison for Chaney, who faced a maximum sentence of 60 years.

TEARFUL JOHANSSON

Prosecutors said Chaney leaked some of the private photos to two celebrity gossip websites and a hacker.

Johansson said the photos, which show her topless, were taken for her then-husband, actor Ryan Reynolds.

In a video statement shown in U.S. District Court in Los Angeles, a tearful Johansson said she was "truly humiliated and embarrassed" when the photos appeared online, asking Judge S. James Otero to come down hard on Chaney.

Prosecutors said Chaney also stalked two unnamed Florida women online, one since 1999 when she was 13 years old.

Chaney, a native of Jacksonville, Florida, was arrested in October 2011 after an 11-month FBI investigation dubbed "Operation Hackerazzi" and he continued hacking after investigators initially seized his personal computers.

Shortly after his arrest, Chaney told a Florida television station that his hacking of celebrity email accounts started as curiosity and later he became "addicted."

"I was almost relieved months ago when they came in and took my computer ... because I didn't know how to stop," he said.

(Reporting by Eric Kelsey; Editing by Jill Serjeant and Andrew Hay)

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Actor Depardieu hits back at French PM over tax exile

PARIS (Reuters) - Actor Gerard Depardieu, accused by French government leaders of trying to dodge taxes by buying a house over the border in Belgium, retorted that he was leaving because "success" was now being punished in his homeland.

A popular and colourful figure in France, the 63-year-old Depardieu is the latest wealthy Frenchman to seek shelter outside his native country after tax increases by Socialist President Francois Hollande.

Prime Minister Jean-Marc Ayrault described Depardieu's behavior as "pathetic" and unpatriotic at a time when the French are being asked to pay higher taxes to reduce a bloated national debt.

"Pathetic, you said pathetic? How pathetic is that?" Depardieu said in a letter distributed to the media.

"I am leaving because you believe that success, creation, talent, anything different must be sanctioned," he said.

An angry member of parliament has proposed that France adopt a U.S.-inspired law that would force Depardieu or anyone trying to escape full tax dues to forego their nationality.

The "Cyrano de Bergerac" star recently bought a house in Nechin, a Belgian village a short walk from the border with France, where 27 percent of residents are French nationals, and put up his sumptuous Parisian home up for sale.

Depardieu, who has also inquired about procedures for acquiring Belgian residency, said he was handing in his passport and social security card.

Culture Minister Aurelie Filippetti said she was outraged by Depardieu's letter, adding that he had for years been supported financially by public money for the film industry.

"When we abandon the ship and desert in the middle of an economic war, you don't then come back and give morality lessons," she told BFM-TV. "One can only regret that Gerard Depardieu doesn't make a comeback in silent movies."

He said he had paid 145 million euros ($190.08 million) in taxes since beginning work as a printer at the age of 14.

"People more illustrious than me have gone into (tax) exile. Of all those that have left none have been insulted as I have."

The actor's move comes three months after Bernard Arnault, chief executive of luxury giant LVMH and France's richest man, caused an uproar by seeking to establish residency in Belgium - a move he said was not for tax reasons.

Belgian residents do not pay wealth tax, which in France is now levied on those with assets over 1.3 million euros ($1.7 million). Nor do they pay capital gains tax on share sales.

"We no longer have the same homeland," Depardieu said. "I sadly no longer have a reason to stay here. I'll continue to love the French and this public that I have shared so much emotion with."

Hollande is pressing ahead too with plans to impose a 75-percent supertax on income over 1 million euros.

"Who are you to judge me, I ask you Mr. Ayrault, prime minister of Mr. Hollande? Despite my excesses, my appetite and my love of life, I remain a free man."

(Reporting by John Irish; Editing by Mark Heinrich)

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Leah Remini sued by former managers over "Family Tools" commissions

LOS ANGELES (TheWrap.com) - Leah Remini's new TV gig is already giving her a headache, months before it even starts. Former "King of Queens" star Remini is being sued by her former managers, the Collective Management Group, which claims that it's owed $67,000 in commissions relating to her upcoming ABC comedy "Family Tools," which debuts May 1.

In a complaint filed with Los Angeles Superior Court on Tuesday, the Collective says that it entered into an agreement with the actress in November 2011 that guaranteed the company 10 percent of the earnings that emerged from projects that Remini "discussed, negotiated, contemplated, or procured/booked during Plaintiff's representation of Remini," regardless of whether the income was earned after she and the Collective parted ways.

According to the lawsuit, that would include the $1 million that it says Remini will earn for the first season of "Family Tools." (The suit allows that it isn't owed commission on a $330,000 talent holding fee that Remini received from ABC prior to officially being booked on the show.)

Remini, pictured above wearing the self-satisfied smirk of someone who just might stiff her former managers out of their commission, terminated her agreement with the Collective "without warning or justification" in October, the suit says.

Alleging breach of oral contract among other charges, the suit is asking for an order stipulating that it's owed the $67,000, plus unspecified damages, interest and court costs.

Remini's agent has not yet responded to TheWrap's request for comment.

(Pamela Chelin contributed to this report)

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Thousands mourn U.S.-Mexican singer Jenni Rivera

LOS ANGELES (Reuters) - Thousands of mourners on Wednesday packed a Los Angeles theater to pay their final respects to Mexican-American singer Jenni Rivera more than a week after her death in a plane crash.

Rivera, 43, best known for her work in the Mexican folk Nortena and Banda genres, died after the small jet she was traveling in crashed in northern Mexico on December 9.

Rivera's family, dressed in white, led the memorial service eulogizing the singer. A bank of white roses was displayed in front of Rivera's bright red coffin and a brass band performed musical interludes.

More than 6,000 people crowded into the theater about 30 miles north of her childhood home in Long Beach, California. Tickets for the service at the Gibson Amphitheatre sold out within minutes, organizers said.

The daughter of Mexican immigrants, Rivera was called the "Diva de la Banda." She sold about 15 million albums and earned a slew of Latin Grammy nominations during her 17-year career.

"Jenni made it OK for women to be who they are," her manager Pete Salgado said at the service. "Jenni also made it OK to be from nothing, with the hopes of being something."

Rivera had five children, the first at age 15, and was married three times. Her third husband was baseball pitcher Esteban Loaiza. Rivera's private life influenced her songs, which often referenced living through hardship.

"She's a fighter and she knows it's in all of us," Rivera's son Michael said between video tributes.

In recent years, Rivera branched out into television, appearing on a reality television show and serving as a judge on the Mexican version of the singing competition "The Voice." Television broadcaster ABC was reported to be developing a comedy pilot for the singer.

Rivera's plane crashed in mountains south of Monterrey killing all seven on board.

The singer was to perform in the city of Toluca, 40 miles southwest of Mexico City, in central Mexico after a concert in Monterrey. It is not clear what caused the crash.

(Reporting by Eric Kelsey; Editing by Stacey Joyce)

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Putin offers French tax row actor Depardieu a Russian passport

MOSCOW (Reuters) - President Vladimir Putin offered French actor Gerard Depardieu a Russian passport on Thursday, saying he would welcome the 63-year-old celebrity who is embroiled in a bitter tax row with France's socialist government.

Weighing into a dispute over a hike in taxes, Putin heaped praise on Depardieu, making the offer of citizenship in response to a question during his annual televised press conference.

"If Gerard really wants to have either a residency permit in Russia or a Russian passport, we will assume that this matter is settled and settled positively," Putin said.

French daily Le Monde reported on Tuesday that Depardieu had told his close friends he was considering three options to escape France's new tax regime: moving to Belgium, where he owns a home, relocating to Montenegro, where he has a business, or fleeing to Russia.

"Putin has already sent me a passport," Le Monde quoted the actor as jokingly saying.

Depardieu is well-known in Russia where he has appeared in many advertising campaigns, and in 2012 he was one of several Western celebrities invited to celebrate the birthday of Ramzan Kadyrov, Chechnya's Kremlin-backed leader.

He also worked in Russia last year on a film about the life and times of the eccentric Russian monk Grigory Rasputin.

He has already inquired about how to obtain Belgian residency rights and said he plans to hand in his French passport and social security card.

In what has become an ugly public dispute, France's Prime Minister Jean-Marc Ayrault criticized Depardieu's announcement as "pathetic" and unpatriotic. The actor hit back, accusing France of punishing success and talent.

But Putin said he thought the feud was the result of a "misunderstanding".

The 60-year-old former KGB spy said he was very friendly with Depardieu, saying he thought the actor considered himself a Frenchman who loved the culture and history of his homeland.

Belgian residents do not pay a wealth tax, which in France is now levied on those with assets over 1.3 million euros ($1.7 million). Nor do they pay capital gains tax on share sales.

Hollande is also pressing ahead with plans to impose a 75-percent super tax on income over 1 million euros.

Russia has a flat income tax rate of 13 percent.

(Reporting by Alexei Anishchuk; Additional reporting by John Irish in Paris; Writing by Gabriela Baczynska; Editing by Alissa de Carbonnel and Andrew Osborn)

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UK's Kate and William to spend Christmas Day with her parents

LONDON (Reuters) - Britain's Prince William and his pregnant wife Kate will spend Christmas Day with her parents, their office said on Saturday, in a break with the tradition of royals joining Queen Elizabeth at her country estate at Sandringham.

The Duke and Duchess of Cambridge will celebrate in private with Carole and Michael Middleton at their home in the village of Bucklebury, about 50 miles west of London.

"The Duke and Duchess of Cambridge will spend Christmas Day privately with the Middleton family," a St James's Palace spokesman said.

The couple's decision was taken with the approval of the Queen. They are expected to visit Sandringham, in eastern England, for part of the Christmas holiday.

Kate, 30, who married the second-in-line to the throne in April 2011, spent four days in hospital this month with an acute form of morning sickness.

Members of the British royal family usually spend Christmas at Sandringham and stay until February, following a custom set by Queen Elizabeth's father and grandfather. Kate and William spent Christmas there last year, meeting scores of wellwishers.

The Middletons are likely to join millions of Britons in watching Queen Elizabeth's annual Christmas broadcast, a tradition that her grandfather George V started in 1932.

For the first time, the monarch has recorded her television broadcast in 3D. It will be shown at 1500 GMT on December 25.

(Reporting by Peter Griffiths; Editing by Kevin Liffey)

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South Africa's Mandela responding to treatment in hospital

JOHANNESBURG (Reuters) - Former South African president and anti-apartheid hero Nelson Mandela, who is 94, continues to respond to treatment two weeks after being taken to hospital, the government said on Saturday.

The Nobel Peace laureate, who has been treated for a lung infection and gallstones after being hospitalized on December 8, was visited by South African President Jacob Zuma, presidency spokesman Mac Maharaj said in a statement.

"Madiba has been in hospital since the 8th of December and continues to respond to treatment," Maharaj said, referring to Mandela by his clan name.

"President Zuma assured him of the love and support of all South Africans, young and old, and the whole world."

The country's first black president was admitted to hospital in Pretoria earlier this month after being flown from his home village of Qunu in a remote part of the Eastern Cape province.

It seems likely that Mandela, admired at home and abroad as a global icon against injustice for his lifetime of struggle against minority white rule, will end up spending Christmas in the hospital.

On Thursday, following his re-election as leader of the ruling African National Congress (ANC), Zuma reported Mandela had "steadily improved".

Zuma said then the former president was receiving "the best care possible" but recalled that Mandela was "at an age where medical challenges require extraordinary care".

He praised Mandela as an "unparalleled fighter".

In an interview broadcast on Saturday but recorded a day earlier, the ANC's newly elected Deputy President Cyril Ramaphosa said he believed Mandela was "on the mend".

Mandela spent 27 years in apartheid prisons, including 18 years on the windswept Robben Island off Cape Town. He was released in 1990 and went on to use his prestige to push for reconciliation between whites and blacks as the bedrock of the post-apartheid "Rainbow Nation".

He stepped down in 1999 after one term in office and has been largely removed from public life for the last decade.

Mandela spent time in a Johannesburg hospital in 2011 with a respiratory condition, and again in February this year because of abdominal pains. He was released the following day after a keyhole examination showed there was nothing serious.

He has since spent most of his time in Qunu.

His fragile health prevents him from making any public appearances in South Africa, although he has continued to receive high-profile domestic and international visitors, including former U.S. president Bill Clinton in July.

(Reporting by David Dolan; Editing by Pascal Fletcher)

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Pope visits jailed butler to grant pre-Christmas pardon

VATICAN CITY (Reuters) - Pope Benedict made a surprise pre-Christmas visit to the jail holding his former butler on Saturday and pardoned him for stealing and leaking documents that alleged corruption in the Vatican.

The pope and Paolo Gabriele spent about 15 minutes together before Gabriele was freed and allowed to return to his wife and children in their Vatican apartment, Vatican spokesman Father Federico Lombardi said.

"What they said to each other will remain a secret between them ... he knows he made a mistake," Gabriele's lawyer Cristiana Arru, who was in the apartment when he returned home, told Reuters.

Gabriele was convicted of aggravated theft on October 6 in a case that shone unwelcome publicity on the Vatican. He had been serving an 18-month sentence in a jail cell in the city state's police headquarters.

Lombardi called the pope's action "a paternal gesture towards a person with whom the pope shared his daily life for several years ... this is a happy ending in this Christmas season to this sad and painful episode."

Both Lombardi and Arru described the encounter as "intense" because it was the first time the two had seen each other since last May, when Gabriele was arrested after Vatican police found many documents in his possession that had been stolen from the pope's office.

The pope also pardoned a Vatican computer expert who had received a suspended sentence in a separate trial.

VATILEAKS SAGA

In a saga that became known as "Vatileaks", Gabriele leaked documents showing what appeared to be a power struggle at the highest ranks of the Church, and internal conflict about how transparent the Vatican's scandal-plagued bank should be with outside financial authorities.

He told investigators he had acted because he saw "evil and corruption everywhere in the Church" and that information was being hidden from the pope.

The Vatican said Gabriele would no longer be able to work there but would be helped to find a job and start a new life outside its walls together with his family.

"When he came home, the kids jumped up and hung from his neck. It was a very tough time for them. I don't think the whole episode has sunk in for them yet," lawyer Arru said.

Gabriele, 46, said at his trial - one of the most sensational in the recent history of the Holy See - that he did not consider himself a thief and that he was motivated by "visceral" love for the Church.

The butler, who served the pope his meals and helped him dress, photocopied sensitive documents under the nose of his immediate superiors in a small office adjacent to the papal living quarters in the Apostolic Palace.

He then hid more than 1,000 copies and original documents, including some the pope had marked "to be destroyed", among many thousands of other papers and old newspaper clippings in a huge armoire in the family apartment inside the Vatican walls.

A former member of the small, select group known as "the papal family", Gabriele was one of fewer than 10 people who had a key to an elevator leading directly to the pope's apartments.

He said at the trial that from his perch as papal butler he was able to see how easily a powerful man could be manipulated by aides and kept in the dark about things he should have known.

The leaked papers revealed inner workings of an institution long renowned for its secrecy, and triggered one of the biggest crises of Pope Benedict's papacy when they emerged in a muckraking expose by an Italian journalist earlier this year.

The case was all the more embarrassing at a time when the Church was trying to limit the fallout from a series of scandals involving sexual abuse of minors by clerics around the world, as well as from mismanagement at its bank.

However, many people believe the butler could not have acted alone and was a fall-guy for others in the Vatican. Gabriele said during the trial that while he may have been influenced by others, he had no direct accomplices.

The Vatican said the pope had also decided to pardon a second Vatican employee and friend of Gabriele's, Claudio Sciarpelletti, who was convicted separately of giving police conflicting testimony and given a two-month suspended sentence.

Sciarpelletti, a computer expert, will be able to keep his job in the Vatican.

(Editing by Mark Trevelyan)

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World Chefs: Keller shares memories, spotlight in latest book

NEW YORK (Reuters) - Thomas Keller, one of America's most respected chefs, shares the food memories of his childhood and his time in France in his new book "Bouchon Bakery," which is also the name of his chain of pastry shops in the United States.

Keller is the only American chef who owns two three-Michelin-star restaurants - Per Se in New York City and The French Laundry in the Napa Valley wine region in California.

Earlier this year, Britain's Restaurant Magazine named Per Se, which opened in 2004, the world's sixth best restaurant. Keller also earned the magazine's lifetime achievement award.

Like his four other books, his latest effort is a collaboration. He co-wrote it with his top pastry chefs Sebastien Rouxel and Matthew McDonald along with food writers Susie Heller, Michael Ruhlman and Amy Vogler.

The 57-year-old spoke to Reuters about the book, his pastry chefs and his place in the culinary world.

Q: Why did you collaborate with the leaders of your pastry team with this book?

A: "If you look at my other cookbooks, it's always been a point with me to share these opportunities with those who share their skills and expertise with the general public. That was the reason why I did the book. Sebastien is one of the best pastry chefs in America. His techniques are unparalleled. I'm not trying to pretend that I'm a pastry chef by writing a book about baking and pastries. Nor am I trying to be a bread baker. I have Matthew McDonald, who is one of the best bakers in America. To be able to highlight his skills in the bread section was very important as well."

Q: How did your time in France change your view about pastry and bread-making?

A: "When you are in France, especially in Paris, there were three or four boulangeries of different significance just on the block where I lived because they had pastry chefs with different levels of skills. You went to different ones for different things. To have a fresh baked baguette everyday was extraordinary. Anyone who lived in Paris for any length of time would say eating a fresh baguette is pretty special. Bread plays a real important part in the experience of the diners. To make sure we have the opportunity to significantly impact the experience by controlling the production and style of the bread was very important to me."

Q: Do you have a favorite dessert?

A: "It depends on the day ... There are so many things I love. I think anything that's done really, really well. For me, that's really something I really appreciate. I think one of the things that really resonate with the individual is that idea that eating, and eating through that experience, they have a memory. We are always trying to do something that's good. Why put something on the menu that's not very good?"

Q: The book emphasizes weighing ingredients over measuring with cups and spoons. Could that be difficult for home cooks?

A: "One of the things about pastry ... it's such an exact process. The most exact thing you practice is with weighing. There is an exactness to the execution, which gives you every opportunity to be successful."

Q: French Laundry and Per Se are among two of the best restaurants in the country. Bouchon Bakery is a success. What more would you like to accomplish in the culinary world?

A: "I have accomplished today everything I wanted to accomplish, more than I ever dreamed was possible. Right now, I'm just focused on the restaurants we have and the book I just wrote. Let me enjoy this moment before you ask me what I'll be doing tomorrow."

Pecan Sandies for my mom (Makes 1-1/2 dozen cookies)

1 ¾ cups + 1 ½ teaspoons all-purpose flour (250 grams)

¾ cup coarsely chopped pecans (80 grams)

4 ounces unsalted butter, at room temperature (170 grams)

¾ cup + 1 ¾ teaspoons powdered sugar (90 grams)

Additional powdered sugar for dusting (optional)

1. Position the racks in the upper and lower thirds of the oven and preheat the oven to 325°F (convection) or 350°F (standard). Line two sheet pans with Silpats or parchment paper.

2. Toss the flour and pecans together in a medium bowl.

3. Place the butter in the bowl of a stand mixer fitted with the paddle attachment and mix on medium-low speed until smooth. Add the 90 grams/¾ cup plus 1¾ teaspoons powdered sugar and mix for about 2 minutes, until fluffy. Scrape down the sides and bottom of the bowl. Add the flour mixture and mix on low speed for about 30 seconds, until just combined. Scrape the bottom of the bowl to incorporate any dry ingredients that have settled there.

4. Divide the dough into 30-gram/1½-tablespoon portions, roll into balls, and arrange on the sheet pans, leaving about 1½ inches between them. Press the cookies into 2-inch disks.

5. Bake until pale golden brown, 15 to 18 minutes if using a convection oven, 22 to 25 minutes if using a standard oven, reversing the positions of the pans halfway through. (Sandies baked in a convection oven will not spread as much as those baked in a standard oven and will have a more even color.)

6. Set the pans on a cooling rack and cool for 5 to 10 minutes. Using a metal spatula, transfer the cookies to the rack to cool completely. If desired, dust with powdered sugar.

Note: The cookies can be stored in a covered container for up to 3 days.

(Reporting by Richard Leong; Editing by Patricia Reaney and James Dalgleish)

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A Minute With: Director Peter Jackson on shooting "The Hobbit"

LOS ANGELES (Reuters) - After bringing J.R.R. Tolkien's "The Lord of the Rings" trilogy to life, filmmaker Peter Jackson is back in the world of Middle Earth with the author's prequel, "The Hobbit."

The three-film series is due to open in U.S. theaters on Friday with "The Hobbit: An Unexpected Journey."

The Oscar-winning director, 51, told Reuters about the 3D film, including the 48 frames per second (fps) format he used, which was widely debated by fans and critics.

Q: You originally intended "The Hobbit" to only be two parts. Why stretch it out to three?

A: "Back in July, we were near the end of our shoot and we started to talk about the things that we had to leave out of the movies. There's material at the end of 'The Return of the King' (the final part of 'The Lord of the Rings' trilogy) in the appendices that takes place around the time of 'The Hobbit.'

"We were thinking, this is our last chance because it's very unlikely we're ever going to come back to Middle Earth as filmmakers. So we talked to the studio and next year we're going to be doing another 10 to 12 weeks of shooting because we're now adapting more of Tolkien's material."

Q: At what point did you decide you would direct the film yourself after originally handing it to Guillermo del Toro?

A: "At the time (we wrote the script), I was worried about repeating myself and worried that I was competing with myself. I thought it would be interesting to have another director with a fresh eye coming in and telling the story. But after Guillermo left, having worked on script and the production for well over a year at that stage, I was very emotionally attached to it. I just thought, this is an opportunity I'm not going to say no to."

Q: You hired Gollum actor Andy Serkis to do second unit directing on the film, something he has never done before. What made you hand the task to a novice?

A: "I know how strongly Andy has been wanting to direct. One of the problems with second unit is that you tend to have conservative footage given to you by the director. They play it safe. I knew that I wouldn't get that from Andy because he's got such a ferocious energy. He goes for it and doesn't hold back. I knew that if Andy was the director I would be getting some interesting material, that it would have a life and energy to it."

Q: What inspired you to make a film in 48 fps?

A: "Four years ago I shot a six or seven minute King Kong ride for Universal Studios' tram ride in California. The reason we used the high frame rate was that we didn't want people to think it's a movie. You want that sense of reality, which you get from a high frame rate, of looking in to the real world. At the time, I thought it would be so cool to make a feature film with this process."

Q: Not everyone has embraced "The Hobbit" in 48 fps.

A: "For the last year and a half there's been speculation, largely negative, about it and I'm so relieved to have gotten to this point. I've been waiting for this moment when people can actually see it for themselves. Cinephiles and serious film critics who regard 24 fps as sacred are very negative and absolutely hate it. Anybody I've spoken to under the age of 20 thinks it's fantastic. I haven't heard a single negative thing from the young people, and these are the kids that are watching films on their iPads. These are the people I want to get back in the cinema."

Q: Why all the hoopla over a frame rate?

A: "Somehow as humans, we have a reaction to change that's partly fear driven. But there are so many ways to look at movies now and it's a choice that a filmmaker has. To me as a filmmaker, you've got to take the technology that's available in 2012, not the technology we've lived with since 1927, and say how can we enhance the experience in the cinema? How can we make it more immersive, more spectacular?"

Q: George Lucas sold Lucasfilm to Disney for $4 billion. Do you think you will sell your New Zealand facility Weta someday?

A: "I would if I want to retire at some stage and want to have a nice easy life, which will hopefully happen one day. But in the foreseeable future, the fact that I'm an owner of my own digital effects facility is a fantastic advantage for me."

Q: How so?

A: "When we asked the studio if we could shoot 'The Hobbit' at 48 fps, we promised the budget would be the same. But it actually does have a cost implication because you've got to render twice as many frames and the rendering takes more time. The fact that we owned Weta and could absorb that in-house was actually part of the reason we were able to do the 48 frames."

(Editing by Patricia Reaney)

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Actor Depardieu's Belgium move "pathetic": French PM

PARIS (Reuters) - Actor Gerard Depardieu's decision to establish residency in Belgium, which does not have a wealth tax, by buying a house just over the border with France, is "pathetic" and unpatriotic, French Prime Minister Jean-Marc Ayrault said on Wednesday.

Depardieu has become the latest wealthy Frenchman after luxury magnate Bernard Arnault to look for shelter outside his native country following tax hikes by Socialist President Francois Hollande.

"Going just over the border, I find that fairly pathetic," Ayrault said on France 2 television. "Being a Frenchman means loving your country and helping it to get back on its feet."

The "Cyrano de Bergerac" star bought a house in the Belgian village of Nechin near the border with France, where 27 percent of the population is composed of French nationals, local mayor Daniel Senesael told French media on Sunday.

Depardieu also enquired about procedures for acquiring Belgian residency, he said.

Yann Galut, a Socialist member of parliament, condemned the actor and proposed that France copy U.S. practice by adopting a law that would force exiles to pay full tax dues or risk being stripped of their nationality.

"It is scandalous and shameful," Galut told Reuters in an interview.

"The country's in dire straits. This man owes everything he has to France - the accolades, the subsidies that helped produce his films, the schools where he was educated. At the end of a career that made him extremely rich he wants nothing to do with national solidarity."

Belgian residents do not pay wealth tax, which in France is now slapped on individuals with assets over 1.3 million euros ($1.70 million), nor do they pay capital gains tax on share sales. France has also imposed a 75-percent tax on incomes exceeding 1 million euros.

The tax hikes have been welcomed by left-wingers who say the rich must do more to help redress public finances but attacked by some wealthy personalities and foreign critics, who say it will increase tax flight and dampen investment.

Depardieu's move comes three months after Arnault, chief executive of luxury giant LVMH, caused an uproar by seeking to establish residency in Belgium - a move he said was not motivated by tax reasons.

The left-leaning Liberation daily reacted with a front-page headline next a photograph of Arnault telling him to "Get lost, you rich jerk", prompting luxury advertisers including LVMH to withdraw their advertisements.

Ayrault said he did not support the idea floated by Galut, and the call was also partially disowned by the leader of the Socialist group in the lower house of parliament.

"I'd rather appeal to people's intelligence, to their hearts," Ayrault said.

Undeterred, Galut said tax dodging may be costing the state as much as 6 to 8 billion euros ($7.8 to 10.4 billion) a year in lost income and that such amounts were "far from negligible" at a time when France is at pains to reduce a bloated debt.

"Everyone is being asked to chip in, private individuals and companies alike. It's inadmissible that people who made fortunes in France refuse to share their part of the burden," he said.

Galut said he was asked on Wednesday to set up a parliamentary panel that would look into the question of tax exiles, saying he would like to see action taken when parliament broaches a budget bill for 2014.

($1 = 0.7669 euros)

(Editing by Jon Boyle and Louise Heavens)

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Politico financier Joe L. Allbritton dies at 87

LOS ANGELES (TheWrap.com) - Joe L. Allbritton, the millionaire founder of Politico's parent company, died Wednesday of heart ailments in a Houston hospital. He was 87.

The founder of Allbritton Communications, which launched Politico and owns several television stations, built the Washington, D.C.-based media empire after controversy-fraught years as the chief of Riggs National Bank.

Born in Mississippi and raised in Texas, Allbritton was a self-made businessman, who dabbled in real estate, mortuaries and banking before entering the news business in 1974, when he purchased the struggling Washington Star newspaper.

He revived the paper. Six years later, federal regulations regarding cross ownership of newspaper and television stations forced him to sell his $35 million investment. Time Inc. bought it for $217 million.

Allbritton held on to his more lucrative media properties, including WJLA, an ABC affiliate in Washington, D.C. that took his initials, and helped launch NewsChannel 8, also in Washington, one of the country's first 24-hour news channels.

The company he founded, which is now run by his son, Robert, has made inroads into the internet world - founding Politico in 2007 and TBD, a short-lived internet news site that the company shuttered in 2012. Though Politico is his son's creation, the elder Allbritton bankrolled the publication and has been accused of excessively involving himself in its editorial affairs.

But, for all of Allbritton's successes and wealth, his career was marred by a nationwide recession in the early 1990s that Forbes magazine said brought the bank to the brink of insolvency.

The economic slump left Riggs with bad loans on drastically devalued real estate, but Allbritton was also blamed by analysts for ignoring the growing suburban banking market which took business away from Riggs.

Despite these woes, he refused to give up his private jet at Riggs, even as shareholders urged him to sell the Gulfstream.

He was also criticized for his eagerness to do business with some shady customers

He personally courted Chilean dictator Augusto Pinochet, whom human rights groups accused of killing more than 3,000 of his own citizens during his 17-year reign.

And - in a 2001 letter to Teodoro Obiang Nguema, the dictator of oil-rich Equatorial Guinea - Allbritton praised the west African strongman's "reputation for prudent leadership." Obiang deposited hundreds of millions of dollars in banks controlled by Allbritton.

But little of this criticism appeared in Politico's glowing, three-page obituary on its financier.

The piece, bylined by editor-in-chief John F. Harris and reporter James Hohmann, makes a brief, passing mention of a federal inquiry into Allbritton's dealings with Pinochet. There is no mention of Obiang.

The man, whom the Washington Post noted - in the headline of its obituary - led once-venerable Riggs to "disrepute" is praised by Politico with a laundry list of accomplishments.

"He would wear Politico baseball caps and T-shirts while playing with his grandchildren. Sometimes, he would quiz executives at the company on business and editorial matters, sometimes pretending caustically to second-guess their decisions," Harris and Hohmann wrote of the former boss.

"It took the publisher, adept at reading his father's sense of humor, to assure people that he was just kidding; his main involvement in the new publication was as cheerleader."

It wasn't the only time Allbritton was accused of involving himself in Politico's coverage.

In 2007, five months after the news agency's christening, Glenn Greenwald, then a columnist at Salon, accused Politico of having a conservative bias, pointing to Allbritton's appointment of Frederick J. Ryan Jr., a one-time assistant to President Ronald Reagan, as president and CEO of Politico.

"There is nothing wrong per se with hard-core political operatives running a news organization. Long-time Republican strategist Roger Ailes oversees Fox News, of course," Greenwald wrote. "But it seems rather self-evident that a news organization run by someone with such clear-cut political biases ought to have a hard time holding itself out as some sort of politically unbiased source of news."

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Media mogul and banker Allbritton dies at 87

WASHINGTON (Reuters) - Joe Lewis Allbritton, a media mogul and owner of the scandal-plagued Riggs National Bank, died on Wednesday at a hospital in Houston. He was 87.

Allbritton died of heart ailments, said Jerald Fritz, a senior vice president of Allbritton Communications.

Allbritton's media empire included newspapers throughout the U.S. Northeast and ABC network affiliates. Allbritton's son, Robert, recently founded the influential political publication Politico.

But Joe Allbritton, a Mississippi native, was famously known for owning and running Riggs, the Washington-based bank that had been a dominant force in diplomatic banking in the nation's capital.

Allbritton's banking career was tarnished when it was revealed that Riggs bank failed to report suspicious activity in the accounts held by former Chilean dictator Augusto Pinochet and Equatorial Guinea officials.

Riggs bank pleaded guilty in 2005 to violating anti-money laundering laws and was fined a total of $41 million.

Allbritton did not seek re-election to Riggs' board of directors and the storied bank was eventually acquired by PNC Financial Services.

Allbritton is survived by his wife, son and two grandchildren.

(Reporting By Rachelle Younglai; Editing by Eric Beech)

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Legendary Indian sitarist, composer Ravi Shankar dead at 92

LOS ANGELES (Reuters) - Sitarist and composer Ravi Shankar, who helped introduce the sitar to the Western world through his collaborations with The Beatles, died in Southern California on Tuesday, his family said. He was 92.

Shankar, a three-time Grammy winner with legendary appearances at the 1967 Monterey Festival and at Woodstock, had been in fragile health for several years and last Thursday underwent surgery, his family said in a statement.

"Although it is a time for sorrow and sadness, it is also a time for all of us to give thanks and to be grateful that we were able to have him as a part of our lives," the family said. "He will live forever in our hearts and in his music."

In India, Prime Minister Manmohan Singh's office posted a Twitter message calling Shankar a "national treasure and global ambassador of India's cultural heritage."

"An era has passed away with ... Ravi Shankar. The nation joins me to pay tributes to his unsurpassable genius, his art and his humility," the Indian premier added.

Shankar had suffered from upper respiratory and heart issues over the past year and underwent heart-valve replacement surgery last week at a hospital in San Diego, south of Los Angeles.

The surgery was successful but he was unable to recover.

"Unfortunately, despite the best efforts of the surgeons and doctors taking care of him, his body was not able to withstand the strain of the surgery. We were at his side when he passed away," his wife Sukanya and daughter Anoushka said.

Shankar lived in both India and the United States. He is also survived by his daughter, Grammy-winning singer Norah Jones, three grandchildren, and four great-grandchildren.

Shankar performed his last concert with his daughter Anoushka on November 4 in Long Beach, California, the statement said. The night before he underwent surgery, he was nominated for a Grammy for his latest album "The Living Room Sessions, Part 1."

'NORWEGIAN WOOD' TO 'WEST MEETS EAST'

His family said that memorial plans will be announced at a later date and requested that donations be made to the Ravi Shankar Foundation.

Shankar is credited with popularizing Indian music through his work with violinist Yehudi Menuhin and The Beatles in the late 1960s, inspiring George Harrison to learn the sitar and the British band to record songs like "Norwegian Wood" (1965) and "Within You, Without You" (1967).

His friendship with Harrison led him to appearances at the Monterey and Woodstock pop festivals in the late 1960s, and the 1972 Concert for Bangladesh, becoming one of the first Indian musicians to become a household name in the West.

His influence in classical music, including on composer Philip Glass, was just as large. His work with Menuhin on their "West Meets East" albums in the 1960s and 1970s earned them a Grammy, and he wrote concertos for sitar and orchestra for both the London Symphony Orchestra and the New York Philharmonic.

Shankar served as a member of the upper chamber of the Parliament of India, from 1986 to 1992, after being nominated by then Indian Prime Minister Rajiv Gandhi.

A man of many talents, he also wrote the Oscar-nominated score for 1982 film "Gandhi," several books, and mounted theatrical productions.

He also built an ashram-style home and music center in India where students could live and learn, and later the Ravi Shankar Center in Delhi in 2001, which hosts an annual music festival.

Yet his first brush with the arts was through dance.

Born Robindra Shankar in 1920 in India's holiest city, Varanasi, he spent his first few years in relative poverty before his eldest brother took the family to Paris.

For about eight years, Shankar danced in his brother's Indian classical and folk dance troupe, which toured the world. But by the late 1930s he had turned his back on show business to learn the sitar and other classical Indian instruments.

Shankar earned multiple honors in his long career, including an Order of the British Empire (OBE) from Britain's Queen Elizabeth for services to music, the Bharat Ratna, India's highest civilian award, and the French Legion d'Honneur.

(Editing by Eric Walsh)

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Mick Jagger love letters fetch $300,000 at auction

LONDON (Reuters) - A collection of love letters written by Rolling Stones frontman Mick Jagger to American singer Marsha Hunt, believed to be the inspiration for the band's hit single "Brown Sugar", sold at Sotheby's on Wednesday for 187,250 pounds ($301,000).

The 10 letters, dating from the summer of 1969, had been expected to fetch 70-100,000 pounds, according to the auctioneer.

"The passage of time has given these letters a place in our cultural history," Hunt said after the London sale.

"1969 saw the ebbing of a crucial, revolutionary era, highly influenced by such artists as The Beatles, The Rolling Stones, James Brown and Bob Dylan.

"Their inner thoughts should not be the property of only their families, but the public at large, to reveal who these influential artists were - not as commercial images, but their private selves."

Hunt, with whom Jagger had his first child, Karis, told Britain's Guardian newspaper last month that she was selling the letters, written in July and August 1969, because she had been unable to pay her bills.

"I'm broke," Hunt, who lives in France, told the newspaper.

Jagger wrote them to Hunt while filming the Tony Richardson movie "Ned Kelly" in Australia.

They showed a sensitive side of the then-young singer, who wrote about the poetry of Emily Dickinson, meeting author Christopher Isherwood and an unrealized multimedia project.

Jagger's relationship with Hunt, who is African-American, was kept under wraps until 1972.

Hunt has said she was the inspiration for Brown Sugar, which Jagger wrote while in Australia.

The rock star also cites in the letters the disintegration of his relationship with singer Marianne Faithfull, whom he was also dating at the time, and the death of Rolling Stones' guitarist Brian Jones.

There has been a surge in interest in the rock band this year, as Jagger and his three surviving bandmates celebrate the 50th anniversary of the Stones with a series of concerts, a photo book and a greatest hits album.

(Reporting by Mike Collett-White)

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Singer-songwriter Carole King to receive U.S. Gershwin prize

(Reuters) - American singer-songwriter Carole King will be awarded the Library of Congress Gershwin Prize for Popular Song, the U.S. national library said on Thursday.

The multiple Grammy Award winner co-wrote her first No. 1 hit at age 17 with then-husband Gerry Goffin and was the first female solo artist to sell more than 10 million copies of a single album, with her 1971 release "Tapestry."

The prize honors individuals for lifetime achievement in popular music, the library said. It is named after songwriting brothers George and Ira Gershwin.

King, now 70, topped the charts with the song "It's Too Late" in 1971, but is best known for her work performed by others, including "You've Got a Friend" by James Taylor and "(You Make Me Feel Like) A Natural Woman" by Aretha Franklin.

"I was so pleased when the venerable Library of Congress began honoring writers of popular songs with the Gershwin Prize," King said in a statement. "I'm proud to be the fifth such honoree and the first woman among such distinguished company."

King and Goffin wrote some the biggest hits of the 1960s before their nine-year marriage ended in 1968. They rose to prominence in 1960 writing "Will You Love Me Tomorrow" for the Shirelles.

The duo also scored hits with "Take Good Care of My Baby," performed by Bobby Vee in 1961, "The Loco-Motion," performed by Little Eva in 1962 and "Pleasant Valley Sunday," performed by The Monkees in 1967, among others.

New York-born King did not hit it big as a singer until 1971, when "Tapestry" topped the U.S. album charts for 15 weeks, then a record for a female solo artist.

Past recipients of the award include Paul Simon, Stevie Wonder, Paul McCartney and songwriting tandem Burt Bacharach and Hal David.

(Reporting by Eric Kelsey; Editing by Jill Serjeant and Xavier Briand)

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"Bennifer" buried as Ben Affleck's star soars

LOS ANGELES (Reuters) - It has taken 10 years of hard work and indie movies, but Ben Affleck finally has moved past his "Bennifer" nightmare.

Affleck, 40, once a tabloid staple who risked becoming a laughingstock during his romance with Jennifer Lopez and their movie flop "Gigli," is back on top in Hollywood, winning accolades for his work both in front of and behind the camera.

Fifteen years after Affleck shared an Oscar with Matt Damon for their first screenplay, "Good Will Hunting," buzz is building over a likely second Academy Award nomination next month. It would be Affleck's first since 1997.

"Finally, people now are ready to go, 'Wow! He's at the very top of the food chain,'" Damon told Reuters.

Affleck's latest film "Argo," a part-thriller, part-comedic tale of the real-life rescue of six American diplomats from Iran in 1980, this week picked up five Golden Globe nominations and a nod from the Screen Actors Guild for its top prize of best ensemble cast.

The film, which Affleck directed, produced and stars in, has also delighted critics and brought in some $160 million at the worldwide box office.

In "Argo," Affleck's clean-cut looks are hidden under a long, shaggy 1970s hair cut and beard as he plays CIA officer Tony Mendez, who devised a fake film project to spirit six hostages out of Tehran after the Islamic revolution.

The kudos Affleck is now receiving follows the embarrassing headlines he attracted over his 2002-2004 romance with Lopez.

"It was tough to watch him get kicked in the teeth for all those years because the perception of him was so not who he actually was," Damon said.

"It was upsetting for a lot of his friends because he's the smartest, funnest, nicest, kindest, incredibly talented guy. ... So that was tough. Now I'm just thrilled. ... He deserves everything that he's going to get," he added.

With a huge, pink diamond engagement ring for Lopez and gossip about matching Rolls Royces, the pair dubbed "Bennifer" starred in the 2003 comedy romance "Gigli," which earned multiple Razzie awards for the worst comedy of the year.

SELLING MAGAZINES NOT MOVIES

Damon, by contrast, was seeing his career surge with "The Bourne Identity," "Syriana" and "The Departed." But he recalls Affleck's pain.

"He said (to me), 'I am in the absolute worst place you can be. I sell magazines, not movie tickets.' I remember our agent called up the editor of Us Weekly, begging her not to put him on the cover any more. Please stop. Just stop," Damon said.

About a year after splitting with Lopez, Affleck married actress Jennifer Garner, had the first of three children with her, and started writing and directing small but admired movies like "Gone Baby Gone" in 2007 and 2010's gritty crime film "The Town."

Last month, Affleck was named Entertainment Weekly's entertainer of the year, largely on the back of "Argo."

The actor-turned-director said that managing the various tones of the film was his hardest challenge.

"I had to synthesize comedic elements and the political stuff and this true-life drama thriller story. ... It was scary and it was daunting," Affleck told Reuters, saying he powered through by "overworking it by a multiple of ten."

A trip to the Oscars ceremony in February is now considered a shoo-in by awards pundits, but Affleck is not convinced that success is sweeter the second time around.

"It's harder. On the one hand, coming from obscurity, you have a neutral starting place. Because of the tabloid press and over exposure, I was starting from a deficit," he said.

"It can be very unpleasant to be in the midst of a lot of ugliness. But I just put my head down and decided ... I was going to work as hard as I could, and I never let the possibility enter my mind that I might fail - at least consciously. Subconsciously, I knew I could fail and I was really scared, so it made me work harder."

(Additional reporting by Zorianna Kit; Editing by Will Dunham)

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Norman Woodland, co-inventor of bar code, dies at 91

NEW YORK (Reuters) - Norman Woodland, co-inventor of the bar code, the inventory tracking tool that transformed global commerce in the 1970s and saved shoppers countless hours on the supermarket checkout line, has died, his daughter said.

Woodland, 91, died Saturday from complications related to Alzheimer's disease in Edgewater, New Jersey, said Susan Woodland of New York.

Today, five billion products a day are scanned optically using the bar code, or Universal Product Code, or UPC, according to GS1 US, the American arm of the global UPC standards body.

The handheld laser scanner inventories consumer products, speeds passengers through airline gates, tracks mail, encodes medical patient information, and is in near universal use across transportation, industrial and shipping industries worldwide.

Susan Woodland said her father and co-inventor Bernard "Bob" Silver were graduate students at an engineering school in Philadelphia when they devised the idea of the bar code.

Silver overheard a supermarket executive asking the dean of the school - now Drexel University - to assign engineering students the task of creating an efficient way to inventory products at the checkout counter.

"My dad really liked to think about interesting problems," Susan Woodland said.

Woodland devised a code based on Morse code - a series of dots and dashes - that he had learned as a Boy Scout, she said.

The pair applied for the world's first bar code patent in 1949. Woodland joined International Business Machines Corp in 1951, and in 1952 he and Silver received the patent.

But it would be more than two decades before laser technology would advance to the point where it could be applied to the bar code, IBM said in a statement.

Silver died in 1963, according to the National Inventors Hall of Fame, which inducted the two men in 2011.

"In some ways it was a disappointment to my dad that it took so long for the technology to catch up," Susan Woodland said.

The first bar code scan took place on June 26, 1974, in Troy, Ohio, when a cashier scanned a 10-pack of Wrigley's Juicy Fruit gum for shopper Clyde Dawson, according to IBM. Cost: 67 cents. A revolutionary technology was born.

The late 1970s were heady times for Woodland, known to friends as 'Joe.'

"My dad was a really sweet, friendly guy and he just got the biggest thrill about having invented the bar code," Susan Woodland said.

"He loved talking to the checkers at the supermarket, seeing what they thought about the bar code scanner, what were the problems with it and what they'd like to see changed," she said, laughing. "They always got such a kick out of him."

Susan Woodland said her father was enthusiastic about perfecting the technology he had invented.

"He was involved in with the whole design of the station - from how the person stood and how high the laser stood to how to protect peoples' eyes from the lasers," she said. "He was totally a perfectionist."

Woodland also served as an historian on the Manhattan Project, the U.S. effort to build the first atomic bomb.

But his bar code invention was closest to his heart, Susan Woodland said.

Woodland is survived by his wife, Jacqueline Woodland of New Jersey, daughters Susan Woodland and Betsy Karpenkopf, brother David Woodland and granddaughter Ella Karpenkopf, 16.

(This story was corrected in the last paragraph to fix the spellings of widow and daughter)

(Reporting By Chris Francescani; Editing by Dan Burns and Nick Zieminski)

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Mother of News Corp Chairman Rupert Murdoch dies at 103

MELBOURNE/NEW YORK (Reuters) - Dame Elisabeth Murdoch, matriarch of the Murdoch media empire and mother of News Corp Chairman Rupert Murdoch, was both an inspiration and outspoken critic of her tumultuous family and balm to some of its excesses.

A philanthropist and tireless charity worker regarded for years in her homeland as a national treasure, Murdoch died on Wednesday night at her sprawling home outside Melbourne, a city she loved for its genteel culture, aged 103.

Murdoch was a uniting force in both the community and within her family, where she would often voice concerns to her publisher son over his brand of journalism, including racy exclusives on celebrities and partisan stance on politics.

"We don't always see eye-to-eye or agree, but we do respect each other's opinions and I think that's important," she told Australian television ahead of her 100th birthday in 2009.

"I think the kind of journalism and the tremendous invasion of people's privacy, I don't approve of that," she said.

Murdoch's death comes at the end of a tumultuous year for News Corp, with the company under attack over phone hacking in Britain and amid tensions among those in line to one day replace Rupert Murdoch at the head of the company.

Harold Mitchell, a major figure in Australia's advertising industry who has done charity work alongside Murdoch, said Dame Elisabeth was deeply respected by her family and the community.

"I always found she was a great force in binding together many parts of the community and all people within her influence, and I'm sure she had that same affect on her family," Mitchell told Reuters.

Equal to the zeal with which the Murdoch publishing empire has defended its news gathering methods, the far-flung Murdoch clan have also worked hard to mask their own differences, including rivalries between Rupert Murdoch's daughter, Elisabeth, and sons James and Lachlan, over the company's leadership and direction.

Elisabeth, 44, a prominent television businesswoman, had been critical of her brother James's stubbornness during the phone hacking scandal, the New Yorker magazine reported this month, while Lachlan always bristled over his father's close supervision and left News Corp in 2005.

"He moved to Australia, and although he remains on the News Corp board, he has busied himself with his own media investments. James, the youngest, became the new heir, but he has always resented that Lachlan was their father's favorite," the magazine said.

FAMILY FOCUS

Dame Elisabeth Murdoch, with her forthright but graceful criticism and focus on family, was always able to draw warring family members back together, including after Rupert Murdoch's much publicized divorce of Anna Murdoch and marriage to Wendi Deng in 1999.

Murdoch, who would have been 104 in January, is survived by 77 direct descendants, including three children Anne Kantor, Janet Calvert-Jones and Rupert. Her fourth and eldest child, Helen Handbury, died in 2004.

"Throughout her life, our mother demonstrated the very best qualities of true public service," Rupert said in a statement issued by News Ltd, the Australian arm of News Corp.

"Her energy and personal commitment made our country a more hopeful place and she will be missed by many."

Murdoch, 82, remained close to his mother despite leading a global media empire that required him to split his time between Australia, Asia, Britain, New York, and Los Angeles, among other places.

A young Melbourne socialite, Murdoch was 19 when she married Rupert's father, Keith, in 1928. When Keith Murdoch died in 1952, Rupert took over his father's newspaper business and set about turning it into a global media empire.

Elisabeth Murdoch was a prominent philanthropist, serving on and forming numerous institutes that promoted medical research, the arts and social welfare, and she was a supporter of more than 100 charities and organizations.

Her work earned her civil honours in both her native Australia and Britain, and she was made a Dame in 1963 for her work with a Melbourne hospital.

She believed that charity work involved being involved with people, and was more than just giving money.

She also decried the world's obsession with materialism and wealth at the expense of personal relationships.

"I think it's become a rather materialistic age, that worries me. Money seems to be so enormously important and I don't think wealth creates happiness," she told a television interviewer.

"I think it's personal relationships which matter. And I think there's just a bit too much materialism and it's not good for the young."

While her son remains a divisive figure, Elisabeth Murdoch was widely admired in Australia and her death attracted tributes from across the political divide.

"Her example of kindness, humility and grace was constant. She was not only generous, she led others to generosity," Prime Minister Julia Gillard said as she offered condolences to the Murdoch family.

(Reporting by Adam Kerlin in New York and James Grubel and Rob Taylor in Canberra; Editing by Alex Richardson)

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Australia's Gillard in spoof: Mayans were right, world is ending

CANBERRA (Reuters) - According to Australian Prime Minister Julia Gillard, the Mayans were right and the apocalypse is near.

In a spoof 50-second video appearance promoting a local radio station's breakfast show, Gillard provided hair-raising details that she said would come when the world ends this month, as the ancient Mayans calendar predicted.

With the straight face she often uses in a normal press conference, and surrounded by Australian national flags, Gillard addressed viewers as "My dear remaining fellow Australians."

"The end of world is coming. It wasn't Y2K, it wasn't even the carbon price," said Gillard firmly. "It turns out that the Mayan calendar is true."

Y2K was the computer glitch feared globally just before the year 2000, while the carbon tax refers to a major controversial policy put forward by her Labour government in 2012.

She went into terrifying details about the end of the world such as "flesh-eating zombies" and "demonic hell beasts", but then wooed her constituents with promises.

"If you know one thing about me it is this: I will always fight for you to the very end," she said, but noted that there is also a bright spot.

"At least this means I won't have to do Q&A again," she said, referring to an Australian TV show where politicians usually have to face tough questions from the audience.

A spokesman for Gillard said the video, which was uploaded by radio station Triple J on Thursday and has already been viewed more than 232,000 times on YouTube, was simply a spoof.

"It's just bit of fun," he told Reuters. "It's just a bit of humor for the end of the year. Nothing else."

The video comes out in the wake of a phone hoax in which two Australian presenters from another local radio station called the hospital which is treating Prince William's wife Kate and posed as Queen Elizabeth and Prince Charles to ask questions about her condition.

(Reporting By Maggie Lu Yueyang, editing by Elaine Lies)

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Male artists lead 2013 Grammy nominations

NASHVILLE, Tennessee (Reuters) - Male artists led the nominations announced on Wednesday for the 2013 Grammys, as fun., Frank Ocean, Mumford & Sons, Jay-Z, Kanye West and Dan Auerbach from The Black Keys landed six nods each for music's biggest awards.

The nominations for New York-based indie-pop band fun. - made up of Nate Ruess, Andrew Dost and Jack Antonoff - included the four main categories for record, song and album of the year, and best new artist.

fun., which also performed at the Grammy nominations concert with Janelle Monae, said it felt good to be recognized and "took pride" in its live performances.

"Tonight, all I wanted to do was get up and really give it our all ... receiving the nomination is amazing and a culmination of hard work the three of us have put into this band," lead singer Ruess told reporters backstage.

The group scored a huge hit with its first single, "We Are Young," and then followed that up with its successful album "Some Nights" and single of the same name.

Joining it in the album, record of the year and best new artist categories was hip hop artist Ocean.

The 25-year-old rapper-singer made waves earlier this year after revealing his first love was a man, a groundbreaking move in the hip hop industry, which has faced criticism in the past for being hostile toward gays.

His debut album, "Channel Orange" was a critical and commercial success, debuting at No. 2 on the Billboard 200 album chart in July.

Ocean and fun. will be competing with blues-rock group Alabama Shakes, country singer Hunter Hayes and folk-rockers The Lumineers for the coveted best new artist title.

While young male artists made up a large portion of nominees in key categories, noticeably absent was 18-year-old Canadian singer Justin Bieber, one of 2012's biggest pop music stars with chart-topping album "Believe" and singles such as "Boyfriend."

The winners will be announced at the televised awards show in Los Angeles on February 10.

AFTER ADELE, MALE ARTISTS LEAD

After British singer Adele dominated the previous Grammy Awards with her juggernaut album "21," male artists took the lead in the album of the year category, where Ocean and fun. are competing with The Black Keys, Mumford & Sons and Jack White.

British folk band Mumford & Sons, which scored six nominations both in 2011 and 2012 for its debut album, "Sigh No More," landed six more nominations on Wednesday for its chart-topping sophomore album, "Babel," which is the second biggest-selling album in the United States this year.

Ohio rock duo The Black Keys, formed by frontman Auerbach and drummer Patrick Carney, landed five nominations, while Auerbach also notched a non-classical producer of the year nomination for his work on four albums.

Blues-rocker Jack White, the former frontman of The White Stripes, picked up three nods for his chart-topping debut solo album "Blunderbuss."

Rappers Jay-Z and Kanye West continued to pick up nods for their 2011 album, "Watch The Throne," including best rap performance for "N****s in Paris." Jay-Z also landed nods for collaborating on songs with Young Jeezy and Rihanna, while West scored multiple nominations for his song "Mercy."

Kelly Clarkson was one of the few leading female nominees, picking up three nominations, including record of the year and best pop vocal album.

R&B singer Rihanna also landed three nods, including best solo pop performance for "Where Have You Been."

Record of the year nominees saw an assortment of rock, pop and hip hop nominees, with Clarkson's "Stronger" competing with The Black Keys' "Lonely Boy," fun.'s "We Are Young," Australian artist Gotye's heartbreak hit "Somebody That I Used To Know," Ocean's "Thinkin Bout You," and Taylor Swift's "We Are Never Ever Getting Back Together."

To be eligible for nominations this year, artists had to release their music between October 1, 2011, and September 30, 2012.

Adele, who swept the awards in February with six accolades including the top three, landed only one nomination this year for best pop solo performance, as she did not release any music in the eligibility time frame.

The nominations for the top awards and main categories were announced during an hour-long televised concert in Nashville for the first time, co-hosted by country-pop artist Swift and veteran Grammy host, rapper-actor LL Cool J.

Adding a twist to the announcements, Hayes sang the nominees for best pop album, a tight contest between Maroon 5, Clarkson, Pink, fun. and Florence and the Machine. Hayes picked up two nods for best new artist and best country vocal performance.

British rock legends The Who will receive the Grammy Lifetime Achievement Award in February.

(Writing by Piya Sinha-Roy; Editing by Peter Cooney and Lisa Shumaker)

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