Actor Channing Tatum dubbed People's sexiest man alive

NEW YORK (Reuters) - Actor Channing Tatum, who set female hearts fluttering in the summer movie hit "Magic Mike", was named the sexiest man alive by People magazine on Wednesday.

"My first thought was, 'Y'all are messing with me," Tatum told the magazine after hearing the news.

The 32-year-old actor, who is married to actress Jenna Dewan-Tatum, is training to play an Olympic athlete in his upcoming film, "Foxcatcher".

The couple, who have been married since 2009, are ready to start a family, according to People.

"The first number that pops into my head is three, but I just want one to be healthy and then we'll see where we go after that," he told the magazine.

Tatum joins a long list of Hollywood heartthrobs who also have also received the "sexiest man" title from the magazine including Brad Pitt, Johnny Depp, Ryan Reynolds, George Clooney and Matt Damon.

(Reporting by Patricia Reaney; Editing by Maureen Bavdek)

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Steve Wozniak, Danny Trejo to appear in 8-bit video game

LOS ANGELES (TheWrap.com) - When it comes to the iPhone, Steve Jobs created it, but Steve Wozniak got game.

The Apple co-founder will appear as a playable character in an upcoming iOS video game "Danny Trejo's Vengeance: Woz with a Coz."

The game, slated to be released around November 22, puts Wozniak alongside "Machete" star Trejo in an 8-bit mobile game, fighting a city full of enemies with an assortment of weapons.

The plot is simple: "Woz" is forced to save his wife, J-Woz, after she is kidnapped by street thugs. Teaming up with Vengence, Woz tears up Fusion City in his quest to rescue her.

"Featuring an over-the-top, old school inspired action combined with a retro 8-bit and exciting gritty art style, players will enjoy Woz's brain power, translator apps, Danny Trejo's machetes, guns and other crazy upgrades," a Facebook fan page devoted to the game says.

Other playable characters will include musician Baby Bash and MMA World Champion "Suga" Rashad Evans.

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Why David Geffen is getting the "American Masters" treatment

LOS ANGELES (TheWrap.com) - David Geffen is not a singer. Nor is he a movie star. Nor is he a writer.

Thus he would seem an odd subject for "American Masters," a series devoted to artists ranging from Willa Cather to Woody Allen.

Yet series creator Susan Lacy claims that the mogul has had a profound impact on American popular culture that equals any of those figures. She pleads her case in "Inventing David Geffen," which will be broadcast November 20 on PBS. The documentary had its premiere in Los Angeles on Tuesday night.

"He seems like a bit of an odd choice," Lacy admitted to TheWrap. "But I have a degree in American Studies and I learned that the people with the most influence are often the ones behind the scenes."

In Geffen, Lacy saw a figure like Alfred Stieglitz, a photographer whose lasting legacy was a series of modernist shows he held at his New York galleries that influenced visual arts in this country and brought cubism to the masses.

Some arm twisting must have been required to get the press-averse Geffen to emerge from semi-retirement to reflect on his career in movies, music and Broadway. Lacy said that part of the reason she was able to convince him to participate is that he was a fan of the series and had participated in her documentaries on figures such as Joni Mitchell.

"It wasn't hard," she said. "I knew from other people that he thinks my Leonard Bernstein documentary is one of the best documentaries anyone ever made. Mike Nichols told me that he makes everybody who stays with him watch it."

In addition to Geffen, the documentary features interviews with his friends and colleagues -- an A-list rolodex that includes Tom Hanks, Steven Spielberg, Elton John, Neil Young, Clive Davis, Barry Diller, and Irving Azoff. His sphere was huge, Lacy claims because his influence was tectonic.

By championing musicians such as Jackson Browne and Laura Nyro, Geffen put his own imprint on the emerging singer-songwriter movement in the 1970s. Later, Geffen managed to adapt to shifting tastes, by aligning himself with groups like Aerosmith and Guns 'N Roses and helping to usher in the heavy metal craze. For more than 30 years, his labels - Asylum Records, Geffen Records, and DGC Records - represented the high-water mark for musicians, who clamored to get in the door.

"He had an incredible eye for talent," Lacy said. "These people would have eventually found their way. But he helped them get there. He fixed their teeth and allowed them to write music that's history."

Though he made his name in music, Geffen also became a force in the theater and film businesses.

He enriched himself by producing hit musicals like "Cats" and "Dreamgirls," and branched out into movies with memorable pictures like "Risky Business." In 1994, he co-founded DreamWorks SKG, the studio behind Oscar-winners like "American Beauty" and "Saving Private Ryan."

"In each decade, he has done something that has affected the culture," Lacy said. "If I had to boil it down to one thing it would be his genius at business."

It's a mastery of deal-making and talent-scouting that has made him a very wealthy man, worth an estimated $5.5 billion. It is also a trajectory that Lacy maintains cannot be replicated in a more fractured media landscape, where mega-corporations wield disproportionate influence and are more interested in quarterly earnings than fostering rising stars.

"Even he would say that nobody could do what he did today," Lacy said. "The times have changed so much. I asked him if he could raise $2 billion to start a new studio, and he said 'absolutely not.' And record companies, well, we know what happened to them. Behind all the conglomerates and corporations, to find someone with a genuine sensibility like David Geffen's would be impossible. He was unique."

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Judge throws out Justin Bieber paparazzo chase case

LOS ANGELES (Reuters) - Criminal charges filed against a photographer who pursued teen pop star Justin Bieber at high speeds on a Los Angeles freeway in July were thrown out on Wednesday, striking a blow to California's crackdown on overly aggressive paparazzi.

Celebrity photographer Paul Raef was the first person to be prosecuted under the state's 2010 law that criminalizes dangerous driving when taking photos commercially.

Raef was charged in July with two counts of violating the law stemming from a July 6 incident on a freeway in Los Angeles' San Fernando Valley.

Dismissing the charges, Los Angeles Superior Court Judge Thomas Robinson called the state's anti-paparazzi law "problematic" and "overly inclusive."

The law "sweeps very widely and would increase the penalties for reckless driving" in unintended cases, Robinson said.

Robinson faulted the law's vague definition of commercial photography, saying that it could also apply to a photographer who was speeding to reach an arranged photo shoot with Bieber.

Raef could have faced up to a year in prison and $3,500 in fines, if convicted. His attorney, Brad Kaiserman, said the law is "about protecting celebrities."

A message left with Bieber's publicist requesting comment was not immediately returned.

Raef still faces lesser charges of misdemeanor reckless driving and failing to obey police orders after he allegedly pursued Bieber, 18, at high speeds. He will be tried on those charges at a later date.

Bieber, who was pulled over by police for driving 80 miles per hour in a 65 mph zone, told officers at the time that he was being hounded by paparazzi, and police said they noticed Raef's car following the "Boyfriend" singer.

About 30 minutes after the traffic stop, Bieber called police to report that Raef continued to follow him. Police later found Raef and other paparazzi together in downtown Los Angeles.

The Canadian singer received a speeding ticket at the time.

(Reporting By Eric Kelsey, editing by Jill Serjeant and Sandra Maler)

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French mayor ends hunger strike after crisis aid

PARIS (Reuters) - A French mayor who went on hunger strike a week ago to demand emergency aid for his town ended his protest on Thursday and packed up the tent he had been sleeping in outside parliament after the government met his demands.

"I regret that things came to that but it was necessary," Stephane Gatignon, mayor of Sevran, a poor town on the outskirts of Paris, told Reuters.

Gatignon slept six nights on the pavement outside the National Assembly to press his demand for 5 million euros ($6.4 million) of rescue aid, saying the economic crisis was pushing Sevran and dozens of other poor towns to the brink of ruin.

France's cash-strapped government is seeking to slash its deficit in line with broader efforts to end a debt crisis that has plagued Europe for three years.

While the government is urging local authorities to do their part, it will increase aid to many of the poorest towns next year in a budget package that the lower house of parliament approved this week.

Gatignon said the government had indicated it was willing to deploy those funds in a way that would satisfy his demands. The office of urban affairs minister Francois Lamy did not respond to requests for comment.

The Sevran mayor looked weary but relieved after six days of consuming nothing but sugary tea.

"Today it'll be a bit of broth, then some soup and slowly back to normal eating," Gatignon said.

(Reporting by Emile Picy and Brian Love; Editing by Sonya Hepinstall and Robin Pomeroy)

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Drug charges dropped against Jon Bon Jovi's daughter

(Reuters) - Drug charges against the daughter of rock star Jon Bon Jovi were dropped on Thursday, a day after she suffered a suspected heroin overdose, officials in New York said.

Oneida County District Attorney Scott D. McNamara said in a statement that Stephanie Bongiovi could not be charged because New York law prohibits the prosecution of people who had overdosed and were in possession of small amounts of drugs.

Bongiovi, 19, was found unresponsive in a dormitory room at Hamilton College in Clinton, New York, early on Wednesday and was later booked on misdemeanor charges of possession of a controlled substance (heroin), marijuana possession and criminal use of drug paraphernalia, which were found in the room.

A message left with the singer's representative was not immediately returned.

Heroin and marijuana charges against fellow student Ian S. Grant, 21, in connection with Bongiovi's case were also dropped as a witness or victim to a drug or alcohol overdose cannot be prosecuted in New York.

Bongiovi is the oldest of four children of Bon Jovi and wife Dorothea Hurley.

(Reporting By Eric Kelsey, editing by Jill Serjeant and Andre Grenon)

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New Variety owner Jay Penske slashes one-quarter staff

LOS ANGELES (TheWrap.com) - Jay Penske, the new owner of Variety, laid off nearly a quarter of the company's staff on Thursday.

Between 20 and 25 employees from the struggling Hollywood trade's circulation, database and conference departments were laid off. The editorial staff was not affected. Variety had about 120 employees before Thursday's cuts.

"Without a doubt, this is a challenging day, and I particularly wanted to notify and acknowledge those of you who will be saying goodbye to valued colleagues and friends," Penske, the CEO of Penske Media Corporation wrote in a memo obtained by the industry blog Deadline, which he also owns. "As we look ahead, Variety's business holds almost limitless potential and I will remain available to answer any questions you might have regarding today's changes and our future."

Penske bought the paper last month at the fire-sale price of $25 million. In his memo, Penske said that he planned to invest in the editorial and digital departments while trimming the database services and business branch.

The jobs eliminated came from the LA411 and NY411 units - directories for production resources - and its administration and conference units, according to the memo. Deadline said that the cuts totaled 20 to 25 employees.

He also cut circulation staff, in what may presage a move to cut back on the paper's printing schedule. Variety currently prints daily during the week and a weekly edition on Friday.

TheWrap previously reported that Penske planned to maintain the print edition and drop the paywall that blocked non-subscribers from reading Variety's site, placing it in direct competition with competitors like the Hollywood Reporter, TheWrap and its corporate sister Deadline. The paywall has since been torn down.

Neither Penske nor Variety returned calls or emails from TheWrap requesting comment.

Here's the full memo:

Dear Team

For the past six months, we have diligently reviewed every aspect of the Variety business. And in more recent weeks, we have outlined to Variety senior management an exciting and also aggressive trajectory for the brand's resurgence. These steps will include substantial further investment in editorial and digital, but will unfortunately require some immediate eliminations in the following business units: LA411/NY411, Circ, Systems, Conferences, and Admin.

Without a doubt, this is a challenging day, and I particularly wanted to notify and acknowledge those of you who will be saying goodbye to valued colleagues and friends. As we look ahead, Variety's business holds almost limitless potential and I will remain available to answer any questions you might have regarding today's changes and our future. As always, please don't hesitate to reach out to me, or see Tammy Chase to arrange an appointment.

Sincerely,

Jay Penske

CEO

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Lindsay Lohan pushed for Elizabeth Taylor TV role

LOS ANGELES (Reuters) - Lindsay Lohan so wanted to play Elizabeth Taylor in the upcoming film "Liz & Dick" that she cut out the middle man and went straight to the producer herself, the tabloid-favorite star said in an interview on Friday.

Lohan, 26, plays Taylor in an upcoming television movie that dramatizes the long love affair between the late Hollywood legend and actor Richard Burton.

"It's a funny story, actually. I had seen that they were going to be making the movie and I got the producers' numbers and started harassing (producer) Larry Thompson," Lohan said on ABC's "Good Morning America."

"I didn't even care if my agents were going to do it or not, I just did it myself, too," the "Mean Girls" actress said. "Because I was like, 'No one else is going to play this role, I have to do this.'"

Early reviews of "Liz & Dick," which premieres on U.S. cable channel Lifetime on November 25, have ranged from middling to poor. But TV critics noted the similarities between Lohan and Taylor, both often-troubled actresses who started life as child stars.

"'Liz & Dick' truly drags," said the Hollywood Reporter. "Luckily, you can't take your eyes off of Lohan playing Taylor, which the producers clearly thought would work because they share similar back stories."

Lohan's acting alongside New Zealand's Grant Bowler as Burton was described by Variety on Friday as "adequate, barring a few awkward moments, thanks largely to the fabulous frocks and makeup ... she gets to model."

Lohan's reputation, much like Taylor's, has been built from her tabloid persona more than on-screen performance.

In and out of legal trouble, jail and rehab since 2007, Lohan faced media blow-back this week after canceling an in-depth interview with ABC's Barbara Walters, who said she suspected the actress' publicity team pulled the plug knowing Walters would ask tough questions.

(Reporting by Eric Kelsey; editing by Jill Serjeant and Matthew Lewis)

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Robert Pattinson looks for danger after "Twilight"

LOS ANGELES (Reuters) - Robert Pattinson has set young hearts aflutter as the teen vampire Edward Cullen in the "Twilight Saga" films, but as the sun sets on the franchise that launched his career, the actor is looking for more grown-up and "dangerous" roles.

"Breaking Dawn - Part 2," released this week, is the fifth and final in the series, and Edward's character shifts from brooding, tormented lover to a contented husband and father who must protect his family from an ancient vampire clan.

But Pattinson, 26, still has those rakish good looks that drew a screaming fan base and made him a tabloid fixture. While the avid fan excitement around the "Twilight" series overwhelms him, the British actor hopes his audience will follow him as he moves on.

"It's all about control. Now, I don't feel like I have any control whatsoever," he told Reuters with a laugh.

"They're a very ardent fan base, so to figure out a way to harness that vehement audience, it's definitely an important thing."

Pattinson became a pinup as the angst-ridden Edward, but said he wasn't worried he might be typecast as the perpetual brooding hero. "I'm not particularly brooding in my real life," he said.

The actor has already been laying the ground for a career beyond "Twilight." He played a 19th century French gigolo in "Bel Ami" and a billionaire with an existential crisis in David Cronenberg's "Cosmopolis," although both films fared poorly at the box office earlier this year.

Next up is a drama, "Map to the Stars," again with Cronenberg, and "The Rover," a Western-style action movie set in the Australian desert.

"Everything I've signed up for now is very physical, because I feel like I've done quite a few things where I'm quite still. I'm trying to find people that are doing things that feel dangerous," Pattinson said.

ROMANCE ON AND OFF SCREEN

Away from the series with its apple motif, symbolizing forbidden love, Pattinson's fame has also been fueled by his off-screen romance with "Twilight" co-star Kristen Stewart, 22, who plays Bella Swan.

Their relationship was thrust into the spotlight in the summer when Stewart publicly admitted she had an affair with her married "Snow White and the Huntsman" director, Rupert Sanders.

The actress apologized in a rare, heartfelt public statement but the affair shocked "Twilight" fans. Pattinson and Stewart have since reconciled, and the paparazzi have spotted them together, but they have stayed mum on their relationship.

"I just try and avoid it," Pattinson said when asked about the scrutiny of his personal life.

"I don't think it's good in terms of a career as an actor. I think being in gossip magazines - I don't like the whole industry, I think it's a lazy industry, and it's a weird media consumer culture," the actor said.

"(Success) is so much based on luck as an actor. No one knew that the audience would connect to the 'Twilight' series the way that they did ... it's just luck, you've got to do the things that interest you."

For now, Pattinson is coming to terms with saying goodbye to the franchise.

"It sounds cheesy, but it's been such a life-changing experience where you share a bond with people, it's weird. I remember hearing about 'Lord of the Rings,' they all got tattoos ... that'd be so funny, maybe we could get a little apple, a 'tramp stamp' with an apple," the actor mused, laughing.

(Reporting by Piya Sinha-Roy, Editing by Jill Serjeant, Gary Hill)

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Scott Dadich Named Top Editor at Wired

LOS ANGELES (TheWrap.com) - Scott Dadich has been named editor-in-chief of Wired magazine, it was announced Friday by Condé Nast editorial director Tom Wallace.

The appointment marks a homecoming for Dadich, who served as Wired's creative director from 2006 to 2010. He replaces Chris Anderson as the publication's top editor.

Since 2010, Dadich has served as vice president, editorial platforms and design at Conde Nast. In this role, he oversaw the creative efforts to bring Condé Nast's storied brand portfolio to emerging digital channels.

"Scott has been at the forefront of the company's digital innovation for the past three years, developing the design for a digital magazine that has become an industry standard," Wallace said. "His return to Wired, where he served as creative director and won three National Magazine Awards for Design, will ensure that it continues its pace-setting growth."

While Dadich was creative director at Wired, the magazine received three consecutive National Magazine Awards for Design. He is the only creative director ever to win both the National Magazine Award for Design and the Society of Publication Designers Magazine of the Year Award for three consecutive years (2008-2010).

"I'm excited to return to Wired, which has had such a tremendous impact on my life and my career," Dadich said. "I'm honored to have the chance to build on the legacy of innovation that Louis and Jane started some 20 years ago. And I am grateful to my friend and colleague Chris and the incredible Wired staff. I look forward to finding new opportunities to delight and surprise the Wired community, both with the stories we tell and in the ways in which we tell them."

Prior to Wired, he was the creative director of Texas Monthly, which was nominated for 14 National Magazine Awards during his tenure and won for General Excellence in 2003.

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